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RC2JRZ99LPWP Ganna Muromtseva, 29, a professional ballerina from Ukraine who fled her country after Russia's invasion, practices before a stage rehearsal of the Swan Lake ballet at the Hungarian State Opera in Budapest, Hungary, February 11, 2023. Muromtseva left Ukraine with just a bag when she was at the peak of her career at the National Opera of Ukraine, and after a year of trying to survive from one day to another and rebuilding herself as a dancer physically and mentally, she is now back at the top with the role of the White Swan and the Black Swan, which she had danced for more than five years as part of her Ukraine company in Kyiv, China and Tokyo before. "I'm happy to make a story on stage again," she said. "It is a totally different production (in Budapest), for me it feels like I really have to prove ... You have to be...very flexible in your head, not (just) in your body." REUTERS/Marton Monus SEARCH "MONUS BALLERINA" FOR THIS STORY. SEARCH "WIDER IMAGE" FOR ALL STORIES.

RC2C2Z9G7AWI Ganna Muromtseva (right), 29, a professional ballerina from Ukraine who fled her country after Russia's invasion, practices during a dance class for the Swan Lake ballet with master Irina Prokofieva, at the Hungarian State Opera in Budapest, Hungary, February 1, 2023. Muromtseva left Ukraine with just a bag when she was at the peak of her career at the National Opera of Ukraine, and after a year of trying to survive from one day to another and rebuilding herself as a dancer physically and mentally, she is now back at the top with the role of the White Swan and the Black Swan, which she had danced for more than five years as part of her Ukraine company in Kyiv, China and Tokyo before. "I'm happy to make a story on stage again," she said. "It is a totally different production (in Budapest), for me it feels like I really have to prove ... You have to be...very flexible in your head, not (just) in your body." REUTERS/Marton Monus SEARCH "MONUS BALLERINA" FOR THIS STORY. SEARCH "WIDER IMAGE" FOR ALL STORIES.

RC2JRZ99LK2Y Ganna Muromtseva, 29, a professional ballerina from Ukraine who fled her country after Russia's invasion, practices before a stage rehearsal of the Swan Lake ballet at the Hungarian State Opera in Budapest, Hungary, February 11, 2023. Muromtseva left Ukraine with just a bag when she was at the peak of her career at the National Opera of Ukraine, and after a year of trying to survive from one day to another and rebuilding herself as a dancer physically and mentally, she is now back at the top with the role of the White Swan and the Black Swan, which she had danced for more than five years as part of her Ukraine company in Kyiv, China and Tokyo before. "I'm happy to make a story on stage again," she said. "It is a totally different production (in Budapest), for me it feels like I really have to prove ... You have to be...very flexible in your head, not (just) in your body." REUTERS/Marton Monus SEARCH "MONUS BALLERINA" FOR THIS STORY. SEARCH "WIDER IMAGE" FOR ALL STORIES.

RC2ORZ9Y3X2L Ganna Muromtseva, 29, a professional ballerina from Ukraine who fled her country after Russia's invasion, and her colleague Boris Zhurilov practice after a stage rehearsal for the Swan Lake ballet while workers rebuild the stage at the Hungarian State Opera in Budapest, Hungary, March 11, 2023. Muromtseva left Ukraine with just a bag when she was at the peak of her career at the National Opera of Ukraine, and after a year of trying to survive from one day to another and rebuilding herself as a dancer physically and mentally, she is now back at the top with the role of the White Swan and the Black Swan, which she had danced for more than five years as part of her Ukraine company in Kyiv, China and Tokyo before. "I'm happy to make a story on stage again," she said. "It is a totally different production (in Budapest), for me it feels like I really have to prove ... You have to be...very flexible in your head, not (just) in your body." REUTERS/Marton Monus SEARCH "MONUS BALLERINA" FOR THIS STORY. SEARCH "WIDER IMAGE" FOR ALL STORIES.

RC2OTZ960KUF Ganna Muromtseva, 29, a professional ballerina from Ukraine who fled her country after Russia’s invasion, and her colleague Boris Zhurilov practice during a dance class for the Swan Lake ballet at the Hungarian State Opera in Budapest, Hungary, March 14, 2023. Muromtseva left Ukraine with just a bag when she was at the peak of her career at the National Opera of Ukraine, and after a year of trying to survive from one day to another and rebuilding herself as a dancer physically and mentally, she is now back at the top with the role of the White Swan and the Black Swan, which she had danced for more than five years as part of her Ukraine company in Kyiv, China and Tokyo before. "I'm happy to make a story on stage again," she said. "It is a totally different production (in Budapest), for me it feels like I really have to prove ... You have to be...very flexible in your head, not (just) in your body." REUTERS/Marton Monus SEARCH "MONUS BALLERINA" FOR THIS STORY. SEARCH "WIDER IMAGE" FOR ALL STORIES.

RC2R7Z9THI6S Ganna Muromtseva, 29, a professional ballerina from Ukraine who fled her country after Russia’s invasion, and her colleague Boris Zhurilov practice during a class for the Swan Lake ballet at the Hungarian State Opera in Budapest, Hungary, February 9, 2023. Muromtseva left Ukraine with just a bag when she was at the peak of her career at the National Opera of Ukraine, and after a year of trying to survive from one day to another and rebuilding herself as a dancer physically and mentally, she is now back at the top with the role of the White Swan and the Black Swan, which she had danced for more than five years as part of her Ukraine company in Kyiv, China and Tokyo before. "I'm happy to make a story on stage again," she said. "It is a totally different production (in Budapest), for me it feels like I really have to prove ... You have to be...very flexible in your head, not (just) in your body." REUTERS/Marton Monus SEARCH "MONUS BALLERINA" FOR THIS STORY. SEARCH "WIDER IMAGE" FOR ALL STORIES.

ny170219231304 **EMBARGO: No electronic distribution, Web posting or street sales before MONDAY 12:01 a.m. ET FEB. 18, 2019. No exceptions for any reasons. EMBARGO set by source.** Coach Valorie Kondos Field, known as Miss Val, watches one of her gymnasts practice a routine at UCLA, in Los Angeles, Jan. 16, 2019. Kondos Field, a former professional ballerina, brings balance, and joy, to a sport often characterized by turbulence. She is retiring at the end of the season. (Kayla Reefer/The New York Times/Fotoarena)

NN11591576 RUSSIA. Yenisei River. Krasnoyarsk. 2018. Ballerina Julia dances five hours a day at the Ballet Academy. In addition to ballet lessons, also normal school subjects are taught. Julia dreams of becoming a ballerina.

1035_06_705708 Ballerinas at Practice, Degas, Edgar

1035_06_705658 Dancers at the Barre, Degas, Edgar

ny080718180812 Amie Sultan, a prominent Egyptian dancer, practices at her home in Cairo, Feb. 28, 2018. Sultan comes from a wealthy Egyptian family and trained as a ballerina. (Laura Boushnak/The new York Times)

ny260117211203 Claire Kretzschmar, a corps dancer with the New York City Ballet, practices in the wings during a rehearsal for âÃúThe Four TemperamentsâÃù at the David H. Koch Theater in New York, Jan. 19, 2017. A week in KretzschmarâÃôs exhausting life as a corps member includes a packed schedule of classes, back-to-back rehearsals and daily performances, with the occasional break for costume fittings or physical therapy. (Sasha Arutyunova/The New York Times/Fotoarena)

ibxgur10328388 Blond young woman portrait in fashion leather jacket isolated

ibxgur10328389 Blond young aggressive woman portrait in fashion leather jacket with fuck sign isolated

ibxgur10328365 Beautiful blond young woman portrait in dance sport costume

akg1516902 Renault, Michel; French dancer and primo ballerino at the Opéra in Paris; Paris 15.12.1927-29.1.1993. Photo, October 1957. Vintage print, 25 x 17cm.

akg1516903 Renault, Michel; French dancer and primo ballerino at the Opéra in Paris; Paris 15.12.1927-29.1.1993. Photo, October 1957. Vintage print, 25 x 17cm.

alb2065723 Ballet rehearsal at Teatro Regio in Parma, engraving. Italy, 19th century. Location: Parma, Museo Glauco Lombardi (Art Museum).

akg1029738 Bessy, Claude; French prima ballerina at the Opéra national de Paris and choreographer; Paris 21.10.1932-Buttes Chaumont 8.12.1959.-Claude Bessy during the dress rehearsal for "Le Cygne" (The Swan) by C.Saint-Saens, to be recorded for TV; she is accompanied by Franck Pourcel.-Photo.

alb3663368 Dancers Practicing at the Barre. Artist: Edgar Degas (French, Paris 1834-1917 Paris). Dimensions: 29 3/4 x 32 in. (75.6 x 81.3 cm). Date: 1877.The watering can, visible at left, was a standard fixture in ballet rehearsal rooms; water was sprinkled on the floor to keep dust from rising when ballerinas danced. Degas also used the watering can as a visual pun: its shape is mimicked by that of the dancer at right. Shown at the 1877 Impressionist exhibition, the painting was given by Degas to the collector Henri Rouart as a replacement for an earlier work (now lost), which the artist altered and accidentally destroyed. Louisine Havemeyer purchased it from Rouart's estate sale in 1912, for $95,700, a record price for a work by a living artist. Museum: Metropolitan Museum of Art, New York, USA.

alb3895903 Dancers at the Barre. Date/Period: Ca. 1900. Painting. Oil on canvas. Height: 51.25 mm (2.01 in); Width: 38.50 mm (1.51 in). Author: EDGAR DEGAS.

alb3644855 The Dancing Class. Artist: Edgar Degas (French, Paris 1834-1917 Paris). Dimensions: 7 3/4 x 10 5/8 in. (19.7 x 27 cm). Date: ca. 1870.This is Degas's first depiction of a dance class. Because the artist did not yet have privileges to go backstage at the Paris Opéra, his subjects came to his studio to pose. These sessions yielded many large study drawings, which Degas subsequently adapted for other compositions. In the late 1870s, he explained, "I have painted so many of these dance examinations without having seen them that I am a little ashamed of it.". Museum: Metropolitan Museum of Art, New York, USA.

HISL044_EC523 Dancers Practicing at the Barre, by Edgar Degas, 1874, French impressionist painting, on canvas. Louisine Havemeyer purchased this painting for $95,700 in 1912, setting a record price for a work by a living artist (BSLOC_2017_3_106)

HISL044_EC525 The Dance Lesson, by Edgar Degas, 1879, French impressionist drawing, pastel on paper. Degas added a panel of paper at top and on right to incorporate the violin player (BSLOC_2017_3_108)

alb3536160 Dancers Practicing at the Barre, 1877, Mixed media on canvas, 29 3/4 x 32 in. (75.6 x 81.3 cm), Paintings, Edgar Degas (French, Paris 1834–1917 Paris), The watering can, visible at left, was a standard fixture in ballet rehearsal rooms; water was sprinkled on the floor to keep dust from rising when ballerinas danced. Degas also used the watering can as a visual pun: its shape is mimicked by that of the dancer at right.